Assignments
Assignment #1: Group Presentations (20%)
Schedule to be defined
In small groups, students will present and moderate an engaging in-class discussion based on one of the assigned readings. This assignment encourages critical thinking, collaboration, and the ability to connect theoretical concepts to contemporary art and culture.
- Presentation (45 minutes):
- Introduce the topic(s) of the reading and provide context for the discussion.
- Summarize the reading, focusing on the main arguments, areas of interest, counter-arguments, and new discoveries.
- Connect the reading to contemporary examples by including illustrations of artists, artworks, and/or cultural phenomena that relate to the topic. Use visuals, videos, or other media to enrich your presentation.
- Moderated Discussion (20 minutes):
- Prepare to lead an engaging class discussion that delves deeper into the reading and its implications. Develop a clear format and structure for moderation, such as open Q&A, breakout discussions, or activities.
- Create 3–5 thought-provoking questions or prompts to guide the discussion and encourage critical thinking.
- Manage the flow of the discussion, ensuring inclusivity and active participation.
Evaluation Criteria:
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The reading is summarized and contextualized with clarity and depth.
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The presentation connects the reading to broader cultural or artistic contexts.
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Examples used to illustrate the topic are creative and relevant.
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The discussion is facilitated in an engaging and inclusive manner.
- The group demonstrates professionalism and effective collaboration.
Assignment #2: Triptique (30%)
March 7 • Week 8
The goal of this assignment is to experiment with composite image making and/or AI image-generation tools and explore their potential for creating conceptually and visually cohesive work. You will create a triptych (a series of three related images) that reflects the experimental nature of digital image-making while utilizing the triptych format to convey a unified theme or concept.
- Image Creation:
- Use the composite and/or AI image-generation tools covered in class, or any others of your choice, to create a triptych of three related images.
- The images may derive from:
- Your own original photos or scans.
- Archival images, scanned materials, or internet sources (with proper citations).
- Entirely new creations generated through AI prompts.
- Image Refinement:
- Refine your images in Photoshop to enhance coherence and align with your artistic vision.
- Refine your images in Photoshop to enhance coherence and align with your artistic vision.
- Printing:
- Print each image at a size of your choice to create a triptych. Ensure all three prints maintain consistency in resolution, format, and presentation.
- Print each image at a size of your choice to create a triptych. Ensure all three prints maintain consistency in resolution, format, and presentation.
- Final Submission:
- Submit the following via WeTransfer to the professor:
- Layered files in .psd, .psb, or .tif format.
- Include a text file with proper citations for any third-party materials used.
- Present your printed triptych in class for critique and discussion.
- Submit the following via WeTransfer to the professor:
Evaluation Criteria:
- Conceptual depth, cohesiveness, and clarity in the theme or concept of the triptych.
- Technical execution content and refinement, including resolution and color balance.
- Creative experimentation of tools and integration with manual editing.
- Quality of printed images.
- Organization and technical skills demonstrated in your layered files.
Assignment #3: Looking Through The Screen (40%)
April 4 or 11 • Week 12 or 13
This assignment challenges you to refine and expand your work while exploring how digital platforms influence the presentation and interpretation of photography. You may revisit exisiting images from this course, work from other classes, and/or create new images. Your final project should demonstrate conceptual depth, technical proficiency, and creative engagement with the impact of digital technologies on photography. The project must exist entirely online as a website, emphasizing the screen as a platform for engaging with photography. No prints are required.
- Exploration:
- Choose an exisiting project you’d like to reimagine and/or create a new images to develop a cohesive project that uses digital images as the primary medium, supported by one or more other media, such as:
- Found images: incorporate archives, or online images.
- Text: captions, journal entries, texts, to contextualize your images and enhance meaning.
- Sound: Add depth with audio elements such as ambient sounds, music, or narration.
- Video: Incorporate animations, looping clips, or transitions to complement static visuals.
- Found images: incorporate archives, or online images.
- The goal is to realize a project that seamlessly combines elements into a unified narrative or conceptual whole.
- Choose an exisiting project you’d like to reimagine and/or create a new images to develop a cohesive project that uses digital images as the primary medium, supported by one or more other media, such as:
- Digital Screen Output:
- Your project must be designed for a digital screen, consider which screen makes the most sense for your project such as a desktop, laptop, tablet, and/or phone, and/or tablet.
- Present your work on a platform suited to your content. Possible formats include, but are not limited to:
- A website.
- A social media series.
- A blog or newsletter.
- A projector.
- Reflect on how your chosen platform or output method shapes the way viewers experience your project and its content.
- Your project must be designed for a digital screen, consider which screen makes the most sense for your project such as a desktop, laptop, tablet, and/or phone, and/or tablet.
- Content Scope:
- There is no minimum requirement for the number of images or media elements, but your project must present a resolved, cohesive response to the topics you are addressing.
- Submission:
- Provide a working link to your online project or documentation of a projector-based presentation.
- Within the project itself, include a project statement (200–300 words,) along with citations for any found materials used in your project to ensure proper attribution.
Evaluation Criteria:
- Conceptual strength of your project.
- Technical proficiency of tools and techniques, as well as the execution of your work.
- Creative exploration via digital tools, media integration, and presentation format.
- Communication and documentation of your project statement and proper attribution of any materials.